The fourth and final piece of a series on designing and running one-shot scenarios.
If you missed any of the earlier articles, find them here:
Designing the Adventure part 1 • Design part 2 • Prep for the Session
Encourage Play that Saves Time
In Part 1 of this series, I wrote that I would avoid issues pertaining to social graces (or lack thereof), but the question of whether players should toy around with electronic devices at the table applies to single-session adventures more than to normal adventure and campaigns. Suffice to say that your group should be in agreement on how to handle this, for delays could result in failure to complete the adventure, which would ruin the entire session for everyone. If need be, have a quick discussion on this before the game starts.
The DM will find it more important than ever to handle THAT player—the one that makes all the bad jokes that have nothing to do with gaming—the same one that side-tracks everything by recounting his day at work in the middle of the game. You are adults so you need no advice on how to handle it, but be aware that not addressing it could possible ruin the game for everyone if you don’t finish. Read more
This is RPG-ology #34: Invisible Coins, for September 2020.
This was originally published as Game Ideas Unlimited: Invisible Coins on July 27, 2001. It is only slightly edited for republication here.
You’ve probably heard the line about our strange and beautiful relationship—in which I’m beautiful, and you’re… well, I’ll assume you’ve heard it. My relationship with Multiverser creator E. R. Jones was, from the beginning, strange on both sides. There were many things about us that appeared similar (to the point that we were mistaken for brothers, and sometimes still people aren’t certain which of us the bearded dark-haired bespectacled faces in artist Jim Denaxas’ sketches depict). But the more we got to know each other, the more it appeared that we did many of the same things for very different reasons.
He wore a beard because shaving was inconvenient. I wore one because I didn’t like the feel of the sweat and oils on my face after shaving.
We both put ice in our coffee. I did it because I’m not very patient about beverages, and would certainly burn myself on it before it cooled. He, on the other hand, preferred his coffee cold, a throwback to his army days when that’s the only way he could get it. (And he was the cook.)
We were both highly respected for our skills at running Dungeons & Dragons, both of us having begun some time in 1980. My reputation was that I was closer to the book rules than just about anyone else. He, on the other hand, built his entire game on that phrase in the preface, “the creator and ultimate authority in your respective game,” regarding the rest of the system optional. We learned much from each other in the process of playing together, but our games were never the same, perhaps in some sense not even remotely similar.
And both of us had the habit of periodically tossing an invisible coin into the air and catching it, slapping it on our wrists ostensibly to see whether it was heads or tails, when someone asked a question which required thought. Read more
Part 3 of a series on designing and running one-shot scenarios.
If you missed any of the earlier articles, find them here:
Designing the Adventure part 1 • Design part 2
Give out Characters Beforehand
If you decide to use pre-generated characters, send the character sheets to your players before game day. This will allow them to familiarize themselves with the character a bit. This is especially important for spell-casters, which are more complex to run than fighters. Distributing the sheets early also fosters excitement and anticipation for your game.
Bring Extra Stuff
Expect a few players to forget dice, pencils, and paper. These things take only a few minutes to gather, and the players in question will be grateful. Besides, you don’t want anything to delay you, as time is fleeting on game day.
Preroll For NPCs
This is a trick that I’ve used successfully for years now. The slow pace of the combat round has been a bugbear in most versions of D&D, and I imagine that other games have similar problems. Though I learned from experience that AD&D (or 1st Edition) can move combat along quicker than later versions, pre-rolling attacks and damage will speed things up, no matter what version you play. Of course, you can do this in your regular campaigns too, but the practice is doubly helpful with single-session adventures.
I usually roll between three and seven attacks for each monster, but use common sense. If you have twelve goblins, then perhaps thirty rolls are enough. Several goblins will likely die in the first few rounds, and if they are getting stomped, they will likely flee and end the combat. After rolling attacks, you can usually eyeball the numbers and figure out how many potential hits you have. If I rolled thirty times, I might see only ten rolls that are above a 14. Roll that many damage rolls and then add a few extra for good measure.
When you pre-roll damage or attacks, ensure that you include all known modifiers now. The more math that you do beforehand, the less you’ll need to do on game day, and combat will move that much quicker. Make sure that you are clear on what modifiers you already included (jot it down if necessary). Read more
This is Faith in Play #34: Guidance and The Machine, for September 2020.
Some people I know are terrified of the vision of the world in Person of Interest, the television series currently available on Netflix. In it, a man going by the name of Harold Finch has created a hardware/software combination that monitors and analyzes all the data everywhere—cameras, cell phones, online computers, everything. Using this data, it predicts terrorist attacks and gives limited information to a secret government agency so that these can be thwarted before they occur. Yet Harold took the system one step further: he designed it to inform him of the identities of anyone about to be involved, as victim or perpetrator, in a planned violent crime not related to terrorism. He wanted to save the lives of people involved in such crimes, and so the machine gives him social security numbers of such people.
Harold Finch is brilliant at computers, but slightly handicapped, walking with a limp, so he can’t do this himself. He recruits John Reese to do the legwork, and eventually Sameen Shaw joins them; two police detectives, Lionel Fusco and Joss Carter, also help them when called, knowing that their information is always good but not how they get it. Eventually someone who calls herself Root (Samantha Groves to Harold, but she doesn’t like that name) also joins them, apparently recruited by the machine itself.
It doesn’t frighten me. I see in it a wonderful metaphor of divine guidance, and the fact that God directs each of us in accordance with our own place in His plan. Read more
For the first time, I left the evening of D&D feeling accomplished. This time, things seemed to click. The DM drew us further into our character development, and I felt more connected to the character I had essentially created as a joke, as well as a game that was still extremely foreign to me. My character now breathed. There was a specificity to the spells that he cast that resonated with me in a way they wouldn’t have if the DM would’ve continued to explain every attack and action for us. He had stopped holding our hands and telling our stories, to allow us to start cultivating our own facets to the overarching narrative. I cast fire bolt from my right arm, and it wells up from my chest, down through my veins, boiling hot, welling up on my pointer finger until it propels toward its target.
Simple, I know. Rudimentary, even. Yet, allowing me to describe my attacks has enriched what was, up to this point, a difficult play style to get into. After the DM handed the reins over to the players to think quicker and to be more decisive, the game comes across much more alive. It’s as if we’re racing a clock that doesn’t keep time, but does push the passing of time and the narrative forward. Once we took too long deliberating over our next move and, all of the sudden, incredibly jerky kobolds start chucking rocks at our heads. As *plonk* annoying *bump* as *boof* being pelted by rocks is, it is equally refreshing to feel the narrative being pushed, to have that sense of urgency and purpose. Time didn’t stand still, there is no pause button, and I deeply appreciated that!
This is RPG-ology #33: Flirting, for August 2020.
There was a Game Ideas Unlimited article of this title that addressed these ideas (not, it should be noted, romance). That article appears to have been lost, and this is an attempt to address the ideas afresh.
We roleplay for many different reasons. Ron Edwards has identified three fundamental motivations, ways in which gamers enjoy games, identified as gamism, narrativism, and simulationism, and described at Places to Go, People to Be in the article Theory 101: Creative Agenda. It is the third of those, simulationism, which is of interest in this article.
What characterizes simulationism is the love of learning, of exploring what something is like; it is in some ways the broadest. We explore places, from Narnia to Saturn 5 to post-apocalyptic earth to Toontown. We explore milieus, from medieval Asia and Europe to the wild west to outer space. We explore professions, real and unreal, from gunslinger and swordfighter to wizard and starship engineer. We even explore what it’s like to face death.
Yet I think one of the most interesting, subtle, and overlooked things that we explore is our own identities. Read more
In part 1 of this series on single-session adventures, Michael gave the broad strokes of adventure design, from the desired playstyle to decisions on system and settings. Now we move into more specific adventure construction advice.
If you missed the previous article, find it here:
Designing the Adventure part 1
Consider Multiple Environments
George Lucas explained that when making his original three Star Wars movies, he wanted three very different environments in each film. This practice conveys to the viewer three very different moods in a single movie (in just a few hours), and it also lends a slightly epic feel to the story. In the original Star Wars, we have the barren desert of Tatooine, then the cold and colorless interior of the Death Star, and finally the black vacuum of space as the rebel ships try to destroy the Death Star. In The Empire Strikes Back, Lucas gave us the frozen wastes of Hoth, the humid swamps of Dagobah, and the ethereal cloud city of Bespin. In Return of the Jedi, we start in the lifeless desert of Tatooine, move to the lush forest moon of Endor, and end inside the colorless reconstructed Death Star. Gary Gygax, consciously or not, used the same approach in G1: Against the Giants. The PCs first infiltrate the timber-framed steading of the hill giant chief, then invade the glacial rift of the frost giant jarl, and conclude in the volcanic halls of the fire giant king. Read more
This is Faith in Play #33: Psionics, for August 2020.
About eighteen years ago, in July 2002, I published Faith and Gaming: Mind Powers, and thought I had said everything that needed to be said on the subject of psionic powers in fiction and games. It was republished fourteen years later on our refurbished reformatted website, August of 2016.
I could not have foreseen that seventeen years after it was originally written, November 2019, the republished copy would be discovered by someone who wanted to discuss it in enough detail that it has expanded to eighty comments, fewer than half of them contributed by our webmaster and me, filled with questions and links and references attempting to determine whether these “powers” were actually part of the “occult” practices condemned in Deuteronomy 18. Many Christians think so; for reasons covered in that article, I do not. However, the morass of commentary there obscures the critical points, and so I have returned to address the question again.
The issue we addressed was whether, within a fictional setting, it might be plausible to include characters who for one reason or another had developed “natural” mental abilities beyond those common to humans today—the mutant Jean Grey, for example. We demonstrated that in fact modern humans had mental abilities that were completely unknown less than two millennia ago, and that while it could not be said that we therefore would have greater powers in the future, it just as certainly could not be said that we would not. There was no harm in imagining such naturally developed mental abilities in fictional characters. Read more
Despite the viral impact of COVID-19 Gen Con is holding a virtual convention online, and once again the Christian Gamers Guild will be holding a Sunday morning non-denominational Christian worship service from 9 to 10 A.M. EDT.
The event is ZED20189103, and is free via Zoom for the first five hundred participants.
Hope to see you there!
Hi class! Nice to meet you all. I’m teacher Nikolaj, and today we’re talking about games!
But first, an introduction. I’m Nikolaj Bourguignon, a graphic designer turned child caretaker turned teacher. I teach Protestant religion in what I think in the United States would be Primary School—kids aged 6-12. I can do this because in Belgium (where I live and work) freedom of religion is written into our constitution in such a way that people can choose in what worldview they receive thought when they enroll in public schools. As far as I know we’re unique in this.
I also happen to like tabletop games of various kinds, from board and card games to roleplaying games. As a consequence I sometimes try to use or make some of those in order to teach. As such I have a lot of opinions, observations and ideas I can share about the restrictions and different perspectives needed to run games for kids, play games with them or even make them yourself.
This is a lot. Yes, I have a lot of opinions. I’m that kind of a person. I mean, I’m a teacher. It kind of comes with the job. This is why I’m thinking of making this into a series if it proves to be useful to people. This first article serves as a bit of an introduction, but I’m pretty sure you don’t just want to learn about me, so I’ll end this one with a list of games that I’ve found are suitable or inspirational for playing with kids, and possibly for teaching them if wanted. Playing for fun is also a good reason after all.