This is RPG-ology #32: Doing Something, for July 2020.
Although this is actually about a gaming referee technique, I’m starting with an example from a book, my novel Verse Three, Chapter One, freely accessible on the web. It also begins with magic items, but moves beyond that to objects in other settings and genres.
As the story unfolded I needed to have one character, effectively a support character or non-player character, give one of my main characters a specific small magic object in a magically-shielded bag, but had to do it in a way that would not make it seem obvious that this was my intention. The easy way to do that was to put several other small magical objects in the same bag, so that the immediately important one would be just one of several. That’s one trick you should note. Somewhere in the Harry Potter books, probably in The Half-Blood Prince, Harry enters the Room of Requirement in its guise as the place to hide things so no one can find them, and Rowling mentions several objects as examples of the mass collection of junk. One of them is a tiara, I think sitting incongruously on the head of a bust of a man, if memory serves. Then in the final book, The Deathly Hallows, we come to a place where he has to find the Diadem of Ravenclaw, and neither he nor we know where it is–but in fact he and we have seen it already, and just didn’t realize it was important because it was hiding amidst all the other junk. I had already done the same thing with my important object, dropping it into a bag with four other objects. My five objects were a paper clip, a coin, a six-sided die, a cat’s eye marble, and an acorn. Read more
In The Wind in the Willows the main characters sing a Christmas carol which speaks of the animals as the first to “sing Noel”, to recognize Christ on Earth.
It is, of course, a fantasy; and perhaps more than that, it is a children’s fantasy. There is no reason to take it seriously. On the other hand, I’m sure I’ve encountered the idea of the animals around the manger worshipping Christ in other Christmas carols. Although I cannot think of an example at the moment, as December begins I suspect we will hear this idea somewhere in the days ahead. Is it all fantasy, or is there something here that we are missing? Read more
I will confess that I specifically saved this one of the Archetypes for this month. It has been something of a tradition to cover subjects related to game magic in October, begun inadvertently when I addressed the objections to Magic that first year and then returned to it a year later when I recommended Fantasy as a particularly Christian medium one year later. A Concern expressed last year also related to magic in games, so at this point it seems that in the month in which Halloween appears I must say something that is related to game magic. In fact, I already have a topic for next year’s October article, so I guess I’m taking the tradition seriously.
Seriousness is one of the characteristics of this month’s character type, the wizard. We would normally call him studious, probably learned, perhaps educated. The wizard is the sort of person who knows great secrets because he applies himself; and because of the breadth and depth of his knowledge, he wields great power. Merlin of Arthurian legend is the prototype for this character, and Gandalf of Middle Earth (Lord of the Rings and The Hobbit) and Dumbledore of Hogwart’s Academy (the Harry Potter series) both capture the concept beautifully. These are men who know, and because they know, they can do.
In the earliest articles of this series, we were looking at what might be considered the issues in role playing, those areas in which Christians might have concerns. We started with some fairly simple ones—the implications of various types of mechanics, the matter of creating settings which were different in any way from the world God created, the inclusion of bad things in our worlds. Then we started to get sidetracked, perhaps, into answering the many objections raised against role playing games, beginning with the weaker brother argument. We took many sidetracks and then started to talk about how we might actually involve our faith in our games in specific and intentional ways with the idea of playing the good guys, the first of eight generally on that subject, which included things as diverse as playing the bad guys and using Christian imagery. Then, abruptly, the focus changed when we talked about Pagans and whether modern Christian treatment of them was at all appropriate or Biblical. This opened up a new direction for the column—or perhaps merely returned us to the old direction, back to those matters which might be issues to us as gamers, such as battle and war and making deals with the devil. Read more
CGG’s Chaplain, Mark Joseph Young, has completed his study of II Peter and will be moving on to I John soon, making this is a good time to join the study. You may do so by sending an email to firstname.lastname@example.org or going to the Groups.io page.
In addition, we would like to encourage anyone and everyone who has found Mark’s writing helpful or edifying to consider becoming a patron, to enable him to continue providing enlightening material in a variety of forms and places. In case you hadn’t made the connection, Mark wrote the Faith and Gaming series, which is currently being reposted on this web site and is also available in print. He also has written several other books: Game Ideas Unlimited (out of print), Christian life works About the Fruit and What Does God Expect?, the roleplaying game Multiverser (co-author) and two supplements for that game, and Verse Three, Chapter One, a novel based on the game. In addition, he has been a contributor to numerous web-sites and on-line magazines, including his popular Temporal Anomalies in Time Travel Movies for The Examiner (which has recently been shut down).
If you have enjoyed any of that material and look forward to seeing more in the future, please help support Mark through his Patreon page.
More than two decades ago now, before I’d ever heard of role playing games or Dungeons & Dragons™ or the hobby game industry, I took an undergraduate course in creative writing, specifically writing fiction. I suppose I had some distant dream of retiring and writing the next great fantasy novel, and I thought this would help. It was a wonderful class, and I gained much from it.
Periodically we were required to write short pieces which would be as fragments of a story—descriptions of scenes, action sequences, and similar bits. One of these was an internal character sketch. To explain, when we read books there is always a perspective from which we are told the story. It can be an external perspective, as we would have watching a play or film, seeing everyone’s actions from the outside. But books permit us to come to the story from the thoughts, feelings, and perceptions of one of the characters, to know not only what happened, but how it affected this individual. So it is possible to describe a character externally, telling what he looks like, how he dresses and moves and what he does; but it is possible to describe a character internally, considering how he sees himself, how he reacts and what goes through his mind that leads him to the choices he makes. Read more