I pondered what to write in this month’s column. Normally I’m not much for noting special events, but this column marks the conclusion of four years during which a new subject has been addressed each month, relating our faith to our gaming, exploring how we can make our game play specifically Christian. The hope is that such a milestone would be marked by one of the better entries in the series. It’s difficult to know, however, which articles will prove themselves particularly helpful until the responses start appearing, so there’s not much sense in focusing too much effort on that decision. Noting that this is about playing games that are peculiarly Christian, I realized I had a topic note that spoke of a specifically Christian story one might tell in a game.
Of course, it might be presumptive to begin by stating that it is a particularly Christian story. That would seem to be the first question. We have twice before examined stories that might be specifically Christian in their essence. In Deals it was the Faust story, the story of the man who sold his soul to the devil and didn’t really get what he wanted from it. In Goethe’s hands that was a very Christian story; the question is whether it would be so in the hands of the average role player. We also considered the Redemption story—not the Redemption Story, the story of Christ’s sacrifice for us, but the more personal story of the Prodigal, God’s effort to redeem us individually. It may be that this is a specifically Christian story; on the other hand, it appears in pop culture expressed by those who have no known commitment to our faith, so if it is a specifically Christian story it may have lost much of its impact in our post-Christian world. Read more