Another tale from the Exploration of Isenwald campaign!
The party discovered a smugglers’ ring a few miles outside of Arianport. After clearing out the “haunted” house overlooking the sea, which the smugglers used as a base, the PCs learned more of the smuggling operation. Their archenemies from the south, members of an elite company called the Black Hammers, had followed them to the northlands and had settled in Arianport, where they planned to undermine all of the PCs’ work. Indeed, the Black Hammers were behind this smuggling operation. Unaware of this, the PCs accepted the request of the town council to destroy the smugglers. Therefore, the PCs lay in wait in the haunted house, along with detachment of town guardsmen, waiting to spot the smuggler ship, the Seegeist. Simi and some town guardsmen plan to ambush the smugglers that come ashore to the cave beneath the haunted house in a rowboat. Meanwhile the other PCs plan to row out the smuggler ship and take it.
FROM THE DM:
This session posed an interesting challenge. The PCs would try to board a crowded enemy ship in the blackness of night and then seize it. Considering the freeboard of the ship (the height of the side above the waterline), it seemed almost impossible. The PC magic user really proved the difference in this encounter with his floating disk and levitation spells. Simultaneously, a smaller battle would ensue on shore (this battle is not recorded below). Also, this was the party’s first run in with the Black Hammers so I wanted to make an impression. Almost all of the smugglers were hired swords, not Black Hammers, so the PCs would cut through them, but the Hammers had to somehow prove to be difficult. The PCs were victorious, which led to the big reveal—the Black Hammers are in town! Yet, this encounter started a pattern of the Hammers being one step ahead or at least always able to hit back.
The inserts contain text blurbs that I read during the game. Also, we used critical hit and critical fumble tables, which explain some of the narrative, like Ogedai falling repeatedly. It was amusing!
Another tale from the Exploration of Isenwald campaign!
Not long after arriving in the northern land of Isenwald, the party had made an enemy of the selfish knight Banneret. They had defeated his band of knights and custrels in a barrier combat during a spring festival in Arianport. Unhappy with the loss, Sir Andreas Fuchs and his men later ambushed the party to steal the winnings. The party defeated them, and Diego was merciful. However, Andreas Fuchs took this for weakness. After attracting a few more swords to his band, he followed the party northwards to the Cloister Mine and witnessed the Battle of the Muddy Fields. His men then laid a careful ambush for the weary party.
FROM THE DM:
This session was the closest we came to a TPK (editor’s note: that’s “Total Party Kill” for those unfamiliar with roleplaying parlance), at least to this point. The PCs were already at half-strength when I hit them with a fresh band of armored knights. I pushed them to their limits, but the players responded well. Ironically, the PCs won the battle when all the main fighters were down or dying. The peace-loving thief (he would say spymaster) of the party turned the tide with a magical whip! This encounter gave the PCs tremendous satisfaction because they killed a worthy foe that they hated. Read more
Michael Garcia returns with another tale from his Exploration of Isenwald campaign.
Having defeated the Eaters-of-the-Dead after an extended campaign, the party then won control of the Cloister Mine by legal means, namely by out-producing their rival Varyag claimants (envision Russians) in the span of one month. During that time, a third party of claimants attacked, but the party defeated them too. Finally, now in control of the mine, the party learned that the leader of the Varyag claimants was none other than the corrupt Orthodox Bishop of the nearby town of Arianport. Unwilling to yield the mine, but always eager to keep his hands clean, this bishop, or Yepiskop, dispatched a group of mounted thugs, the Oprichniki, to take the mine by force.
FROM THE DM:
This was our largest battle to date in this campaign (roughly 60 to 30). It was also the first time that the party saw specific spells that they often used cast against them. The PCs had to develop larger-scale battle tactics while contending with rain and challenging terrain (a muddy field surrounded by hills, plus the mine entrance). I also learned that a carefully crafted NPC might perish with a single roll of the dice. Creating that NPC was an hour of my life that I’ll never get back, but it made the player feel like a demigod. Lastly, the fate of the party’s spell caster at the end gave us a good laugh (the player role-played it perfectly too). The following write-up also gave one character (Sir Tomo) his nickname for the rest of the campaign. Don’t underestimate the effect of a decent write-up.
I’m sure you’ve seen the cute yet spiritual Precious Moments figures somewhere. (If not, go to your local greeting card store or check out the Precious Moments web page at http://www.pmcdolls.com) Chances are, someone near and dear to you collects them. They look nice enough in the cabinet, but wouldn’t it be fun to take them out and play with them? Even better, how about a miniatures wargame with Precious Moments figures? OK, it can’t be too gruesome or violent, but it can be done. Here are rules for a Precious Moments Miniatures Battle game.
Alignment in Lands in the Clouds is simplified with an optional rules mechanic of Soul Points and Rage Points. The other distinctions are left to the character in-game as benevolence or malevolence as defined by their actions. Every adventure has opportunities for characters to change their outlook. Aspiring towards benevolent goals in critical moments may reward characters with a type of bonus GRIT. In a setting where the spirit world is close at hand, the condition of a soul is harder to hide and is defined by action, not just outlook.
SOUL POINTS and RAGE POINTS are optional and can be excluded if the rules are cumbersome.
Characters that complete crucial SOUL POINT goals gain 1 soul point. SOUL POINTS can be used in place of GRIT for critical successes in most situations unless the action is knowingly evil in nature. They are also used to power GIFTS. SOUL POINTS are also first consumed in spirit based attacks before any other damage can be dealt, so they act as a type of hitpoint for encounters in the spirit world.
RAGE POINTS are generated any time a character suffers a critical attack or fails at a SOUL POINT opportunity. RP can be spent on critical successes as SOUL POINTS, but not GIFTS. They can also amplify damage, adding 1d6 damage per RAGE POINT to damage of successful attacks. The danger of RAGE POINTS are how they are amplified with STRESS and more vulnerable to manipulation.
Any time a character’s RAGE POINTS exceed their wisdom, they seek to unload the overwhelming emotional duress. Any time there is contention, make a Willpower saving throw based on the number of RAGE POINTS + STRESS. Success, the character keeps it bottled up. Failure results in the character in lashing out at the one with whom they are in contest. A second Willpower save that is successful means that the character can limit their anger to a verbal tirade or general insults. Thereafter their opponent reacts to them as 2 steps lower in reaction. That may result in a fight, which is ultimately what the character seeks. A critical failure on this save means the character has snapped and physically attacks their opponent. If their opponent is a friend, they may channel their anger to an inanimate object if a second will save is successful.
The Lands in the Clouds setting and the GRIT system are provided as a showcase of the work of a CGG member. The Guild takes no official position on the suitability or appropriateness of any game or supplement.
Previous Chapter: STRESS
D20 Open Gaming License
First, let me address the matter of the question. When talking about a designing a role-playing game and the role that magic in the role-playing game will take, we must first decide on what questions we are asking ourselves. Several questions come to my mind. First, what is magic? What is it, not only in fantasy and reality, but also in the role-playing sub-culture? What will it be in my game world or system? The second question is “Why do I want it in the game system?” Why do I need or want magic in the game I’m designing? Third, how does it work in my game system? How do I want it to work in my game? Read more