Tag: character death

2020 at the Christian Gamers Guild Reviewed

The year 2020 surprised all of us, as we scrambled to make life work under entirely different conditions.  However, the viral impact on our web site was minimal, as although we slowed down a bit we continued providing what we hope are valuable quality articles on gaming and faith.  Last December we published 2019 at the Christian Gamers Guild Reviewed, in which I attempted to index everything that had been posted to the site in the previous year and so maintaining a continuous index of sorts working back through the previous Thirteen Months in Review covering a bit more than all of 2018 and Overview of the Articles on the New Christian Gamers Guild Website covering 2016 and most of 2017.  I am now attempting once again to summarize another a calendar year of material, for those who missed something or want to find something they remember.

Again January opened with a new Faith in Play article, and we got a full year from the series:

  1. #26:  Fields to Harvest January 7, 2020, noting that Christian ministries to the “geek” community still have work to do.
  2. #27:  Believing Balance February 4, 2020 continues the miniseries on Dungeons & Dragons alignment with a consideration of neutrality.
  3. #28:  Vampires March 3, 2020 considers the metaphorical value of the undead.
  4. #29:  Victims April 7, 2020, explores what it is to be a dependent character, and the importance of such characters not only in our games but in our lives.
  5. #30:  Conflict May 5, 2020, looks at Dungeons & Dragons as a metaphor for spiritual warfare.
  6. #31:  Magic Roads June 2, 2020 discusses the notion of roads that don’t go where you expect unless you go the right way, and connects it to divine guidance.
  7. #32:  Zealots July 7, 2020 continues the alignment miniseries with a look at the side alignments.
  8. #33:  Psionics August 4, 2020 reopens the issue of mind powers in fiction in response to questions and comments from a reader.
  9. #34:  Guidance and the Machine September 1, 2020 looks at the show Person of Interest as instruction about how God guides us.
  10. #35:  Seekers October 6, 2020 considers what to do about friends who are looking for “real” magic.
  11. #36:  Thanks November 3, 2020 talks about thanksgiving celebration and thanks the readers for their ongoing support and encouragement.
  12. #37:  Balancing on the Corner December 1, 2020, finishes the alignment series with a look at how those with corner alignments have to juggle two values.

Two weeks behind that the RPG-ology series also continued:

  1. #26:  Monster Design January 21, 2020 reprints a Game Ideas Unlimited article about what makes a good monster.
  2. #27:  Cures for Dropping Dice February 18, 2020 gives some practical suggestions for keeping the dice on the table.
  3. #28:  Character Death March 17, 2020 talks about the death of the player character and how to handle it.
  4. #29:  Political Correction April 21, 2020 argues that in fiction and games particularly we need to have freedom of speech.
  5. #30:  Story-based Mapping May 19, 2020 suggests that the best way to start a map for a game is to begin where the characters are and work out as needed.
  6. #31:  Screen Wrap June 16, 2020 reposts the Game Ideas Unlimited article about using teleportation to create confusing map sections.
  7. #32:  Doing Something July 21, 2020 suggests how to use odd objects to enhance story by figuring out what they are later.
  8. #33:  Flirting August 18, 2020 recalls a lost article about using role playing to learn about ourselves.
  9. #34:  Invisible Coins September 15, 2020 reproduces a slightly edited version of the Game Ideas Unlimited article, about a valuable illusionist technique.
  10. #35:  Believable Nonsense October 20, 2020 recalls the ideas from a Game Ideas Unlimited article about superstitions and how to work them into play.
  11. #36:  Phionics November 17, 2020 suggesting a category of special abilities that are neither magical nor mental, but reflect the extraordinary body skills of the contortionist.
  12. #37:  It’s Greek to Me December 15, 2020 talks about inscriptions and decorations on magic items.

Although it hardly counts as an article, I also posted Worship Service at Gen Con 2020 Game Fair, announcing the online virtual event which Dave Mattingly organized and hosted on our behalf.

Michael Garcia opened the year on January 14, 2020, with a wonderfully detailed study of Sewers and Such, everything you could need to know to run an adventure in these urban dungeons.  COVID suspended his gaming, so we didn’t get tales of the adventures for a while.  However, he did give us a four-part tutorial in how to design one-shot adventures:

  1. Designing Single-Session Adventures Part 1 on July 14, 2020, in which he explores the basic starting point for the task;
  2. Designing Single-Session Adventures Part 2 on August 11, 2020, in which he talks about detailing the adventure;
  3. Prep for Single-Session Adventures on September 8, 2020, in which he talks about final preparations;
  4. Running the Single-Session Adventure on September 22, 2020, in which he covers actual game play matters.

He followed this with Tough Choices Make for a Good Game, on October 13, with a holiday-themed adventure, Spreading Yuletide Fear:  A Dark Holiday-themed Adventure, on November 24, and some adventure design advice to finish the year in Designing Deeper Adventures.

Matthew Butler returned with Tales of a D&Degenerate: Volume 2, on June 9, 2020, and The First Line of Offense, August 25, 2020, continuing his humorous look at his gaming experience.

We were honored to be permitted to reprint “Geek Preacher” Derek White‘s article from Knights of the Dinner Table, Quiet in the Convention Center, about gaming conventions providing facilities and services for handicapped and autistic attendees.

Grade school religion teacher Nikolaj Bourguignon brings his experience using games in the classroom to a new series, Roll for Teaching, beginning with:

  1. Hi class. Nice to meet you all! on July 28, 2020, in which he introduces himself and a few of the games he finds best for use with grade school students.
  2. Goals on December 8, 2020, in which he discusses why we are playing, and how to keep that in focus.

Guild President Rodney Barnes brought us Complex Firearms for D20 Games on September 29, 2020, followed a month later on October 27 with Starfinder Stuff for Pathfinder Second Edition.

Lance McClintock approached us to introduce a Christian game he was designing, and we invited him to explain to us what makes a game Christian.  He gave us Christian Game-ism in response, published November 10.

Over a decade ago Scott Bennie drafted an article for us entitled Christianity and Role-Playing Games:  Toward Reconciliation, which slipped through the cracks until late this year when our webmaster found it and published it as Christianity and Role-Playing Games, on December 29.

We expect to follow at least some of these authors into the new year.  In fact, already we have Faith and Gaming and RPG-ology articles standing by.

—M. J. Young

Chaplain, Christian Gamers Guild

RPG-ology #33: Flirting

This is RPG-ology #33:  Flirting, for August 2020.


There was a Game Ideas Unlimited article of this title that addressed these ideas (not, it should be noted, romance).  That article appears to have been lost, and this is an attempt to address the ideas afresh.

We roleplay for many different reasons.  Ron Edwards has identified three fundamental motivations, ways in which gamers enjoy games, identified as gamism, narrativism, and simulationism, and described at Places to Go, People to Be in the article Theory 101:  Creative Agenda.  It is the third of those, simulationism, which is of interest in this article.

What characterizes simulationism is the love of learning, of exploring what something is like; it is in some ways the broadest.  We explore places, from Narnia to Saturn 5 to post-apocalyptic earth to Toontown.  We explore milieus, from medieval Asia and Europe to the wild west to outer space.  We explore professions, real and unreal, from gunslinger and swordfighter to wizard and starship engineer.  We even explore what it’s like to face death.

Yet I think one of the most interesting, subtle, and overlooked things that we explore is our own identities. Read more

RPG-ology #28: Character Death

This is RPG-ology #28:  Character Death, for March 2020.


A couple times recently I have seen social media posts calling for role playing gamers to express their opinions about character death.  The promoter indicated that he was planning to write an article on the subject, and eventually I had the opportunity to read it–but honestly when I read over his survey I found no response even close to what I think and feel on the subject.  So I thought I would broach it here, and see if I can help other gamers with it.  Diana Jones Award winner Ron Edwards once wrote that my game, Multiverser, had some of the best answers to the problem of player character death, and I’ll get to that, but lets not start there.

I believe it was the first time I had ever run a role playing game, and I had never previously played one nor seen one played.  It was what I’ve come to call Basic Dungeons & Dragons 1st Edition, or BD&D1, often identified as the Holmes version or Blue Box set.  My three players, all also novices at role playing games, took four characters into the dungeon, encountered four goblins, killed them all, but lost their party leader, a first level human thief.  There was some expression of disappointment and some statement that they buried him, and then the player created another thief whom we identified as the son of the original, plus a fighter, and they hired another fighter and continued their adventures as a party of six.

I have written a couple times about how game characters don’t seem to mourn for their fallen comrades, most recently in Faith in Play #16:  Mourning.  This, I think, was the closest I have ever seen to characters holding a funeral.  I have mentioned the time one of my Gamma World characters was killed and I played the other from the couch across the room, but although the player in that game mourned the loss of the character, the other characters did not, not even the other character I played.  I also remember another Gamma World game in which I had started with an upbeat optimistic raccoon-based character and a depressed pessimistic lizard-type.  In the third game session the raccoon was killed, leaving me only the pessimist; by the end of the fourth session, the referee canceled the game and had us create new characters.

The point is that character death can be very disruptive to the game.  After that first session I started running games with kid gloves, doing my best to keep the player characters alive without letting them feel invincible.  One of my Multiverser referees once said that the game let him remove the gloves, because the way it handles player character death means it is no longer a thing to be feared.

That, though, is the other side of the coin.  For there to be tension in play, the players have to fear something, and therefore they have to have something at stake.  A great illusionist referee of my acquaintance was able always to keep every player character alive no matter what happened, while at the same time making us all feel as if death were one wrong step away.  It has been suggested that one of the functions of non-player party members is to provide a member of the party the referee can kill so that the players all feel as if it might have been their character.  I know a referee who never tracks damage done to the monsters but rather remaining hit points of the party members, so that the monsters will die or flee when the player characters are in dire straits and see the end looming.  Yet if player characters never die, players get suspicious, and once they see through the trick the fear is gone and the game is not so exciting.  Player character death must be possible, and sometimes it happens whether the referee wants it or not.

I have come to recognize two factors that are essential to making character death work in a role playing game.

The first is that the death has to have meaning within the game world.  Even a total party kill can be a fun and memorable game if they were facing the ultimate villain of the game, and the more so if they brought him down with their last breath.  The character who dives on a grenade to save the party leaves behind a player who is satisfied that he saved the lives of his companions, that he was the hero they will remember.  If the character gives his life to save the girl, or get the maguffin, or destroy the One Ring, it gives his death meaning in a way that it doesn’t get from taking one too many hit points from an orc ambush.  Try to make the death count, even if (illusionist technique) you have to backwrite a reason why this particular orc ambush was important.

The second factor is that the player whose character has died has to be able to continue being part of the game, if the game doesn’t end there.

One way to do this is to have players run more than one character.  I generally have my D&D players start with one character each, but once they have a solid sense of who that character is I permit them to start a second character of a different type.  This not only gives them more to do in play, it strengthens the party as they go against tougher opponents, and it means that if one of a player’s characters dies he’s still got the other to continue play.

Some referees don’t like that, but instead have players roll more than one character at the start of the game, and then choose one to begin.  Then if that character is killed the referee finds an excuse for another of the player’s characters to join the party.  In games expected to have a low death rate referees will sometimes have the player create the new character when the original one dies, while the other players continue the game.

Another option converts the player into a sort of referee’s helper.  Typically this means that the referee gives control of significant non-player characters, possibly party members or allies, possibly villains, to the player.

I promised to give you Multiverser‘s answer to the problem.  When a player character dies in that game, he immediately returns to life in another universe.  Because of this, as Ron Edwards said, death advances the plot.  It is always best if the character’s death is part of a critical scene, and that often happens, but the essential aspect is that the story continues–which addresses the second part of the problem, because the player is still playing, the character who died is still alive, and we have now moved to a new scene, a new plot, a new chapter in the story.

So my attitude toward player character death now is that it’s a good thing when it has meaning in the game and moves the player into new adventures, new play opportunities.  Find a way to do that in your games.


Previous article:  Cures for Dropping Dice.
Next article:  Political Correction.