When the dwarfs said that they had come to hire a burglar, Bilbo Baggins was insulted. He was a respectable hobbit, a bit reclusive but generally admired in the community. He certainly was no thief. The dwarfs indicated that they meant no offense. You can call it expert treasure finder if you like. It’s all the same to us. It wasn’t all the same to the honorable Mister Baggins of Bag End. Imagine being treated as some sort of rogue.
Yet he is one of our heroes, and indeed many of our heroes share something of the rogue, that clever and shady character who skirts the law and uses perhaps disreputable techniques, but always for a good cause. Read more
Another tale from the Exploration of Isenwald campaign!
The party discovered a smugglers’ ring a few miles outside of Arianport. After clearing out the “haunted” house overlooking the sea, which the smugglers used as a base, the PCs learned more of the smuggling operation. Their archenemies from the south, members of an elite company called the Black Hammers, had followed them to the northlands and had settled in Arianport, where they planned to undermine all of the PCs’ work. Indeed, the Black Hammers were behind this smuggling operation. Unaware of this, the PCs accepted the request of the town council to destroy the smugglers. Therefore, the PCs lay in wait in the haunted house, along with detachment of town guardsmen, waiting to spot the smuggler ship, the Seegeist. Simi and some town guardsmen plan to ambush the smugglers that come ashore to the cave beneath the haunted house in a rowboat. Meanwhile the other PCs plan to row out the smuggler ship and take it.
FROM THE DM:
This session posed an interesting challenge. The PCs would try to board a crowded enemy ship in the blackness of night and then seize it. Considering the freeboard of the ship (the height of the side above the waterline), it seemed almost impossible. The PC magic user really proved the difference in this encounter with his floating disk and levitation spells. Simultaneously, a smaller battle would ensue on shore (this battle is not recorded below). Also, this was the party’s first run in with the Black Hammers so I wanted to make an impression. Almost all of the smugglers were hired swords, not Black Hammers, so the PCs would cut through them, but the Hammers had to somehow prove to be difficult. The PCs were victorious, which led to the big reveal—the Black Hammers are in town! Yet, this encounter started a pattern of the Hammers being one step ahead or at least always able to hit back.
The inserts contain text blurbs that I read during the game. Also, we used critical hit and critical fumble tables, which explain some of the narrative, like Ogedai falling repeatedly. It was amusing! Read more
Two months ago we began considering character Archetypes and how they reflected our values, for better or for worse. Last month we considered Warriors in that connection, and this month we are going to expand on that notion by looking at the knight.
To grasp this as an archetype, it is important that we agree on what we mean. Here I am looking at the noble fighter, whether called samurai or paladin or cavalier or some other name. These are those who fight for honor and glory and are proud of what they do. Read more
“Magic is a matter of symbolism and intent.” —Randall Garrett, Too Many Magicians
Most role-playing games (RPGs) include some kind of magic or occult phenomena as part of the game. This fact makes some people uncomfortable. Some Christians go so far as to insist that any activity—games, movies, whatever—including the portrayal of magic must be avoided in order to maintain a right relationship with God and to follow His moral guidance. On careful examination, however, the arguments used to support this stand are weak, both from a logical and Scriptural perspective.
There are two aspects to this controversy: 1) what is actually happening when magic appears in an RPG, and 2) what does Scripture have to say about this? In this essay I address the issue of fact rather than the application of Scripture—not because Scripture is less important, but because it is impossible to apply Scripture properly without knowing the factual truth about any situation barring direct divine inspiration, which lies outside the realm of the merely rational mind. Read more
Last month we introduced the notion of Archetypes as collections not so much of skills and traits as of values and beliefs, character concepts which inform us about ourselves and our views of the world. This month that notion meets its first test, as we consider our first archetype. We start with one that is fairly simple: the warrior.
I should clarify that I do not by this designation mean anyone and everyone who fights, nor everyone who trains to engage in combat. I have in mind the soldier who fights to defend home and family. I’m aware that there are others, and we will consider the knight, the assassin, perhaps the barbarian, perhaps others, as distinct kinds of fighting men who represent something else. This is the simple man who fights because someone has to do it. Read more
The Guild’s primary convention activity takes place at Gen Con, where we offer a Sunday morning worship service and a panel on the intersection of our faith and our hobby. As of last year, we also help to coordinate a memorial service for those who have passed away. Unfortunately, we’ve been priced out of having a booth the past couple of years, so if you want to make contact, these events are your best bet.
Perhaps it was just a passing thought; perhaps it was a sudden inspiration. One of the members of the Christian Gamers Guild who has in the past suggested good ideas for topics for this series (including the Sex and Gender discussions) asked whether there had been an article on archetypes, and suggested that it might be the basis for a new miniseries.
Indeed, the series is in need of a new subject, something related to our faith and our games that has not been discussed in the previous thirty-eight columns. A theme that opens possibilities for several columns is a welcome idea. There was only one problem. What exactly is an archetype anyway, and what can be said about it? Read more
Another tale from the Exploration of Isenwald campaign!
Not long after arriving in the northern land of Isenwald, the party had made an enemy of the selfish knight Banneret. They had defeated his band of knights and custrels in a barrier combat during a spring festival in Arianport. Unhappy with the loss, Sir Andreas Fuchs and his men later ambushed the party to steal the winnings. The party defeated them, and Diego was merciful. However, Andreas Fuchs took this for weakness. After attracting a few more swords to his band, he followed the party northwards to the Cloister Mine and witnessed the Battle of the Muddy Fields. His men then laid a careful ambush for the weary party.
FROM THE DM:
This session was the closest we came to a TPK (editor’s note: that’s “Total Party Kill” for those unfamiliar with roleplaying parlance), at least to this point. The PCs were already at half-strength when I hit them with a fresh band of armored knights. I pushed them to their limits, but the players responded well. Ironically, the PCs won the battle when all the main fighters were down or dying. The peace-loving thief (he would say spymaster) of the party turned the tide with a magical whip! This encounter gave the PCs tremendous satisfaction because they killed a worthy foe that they hated. Read more
I must credit James V. West for inspiring this column. On a game-related forum elsewhere on the world wide web, he raised a question, and then he answered it. Between when I read the question and when I read his answer, I had provided my own answer, which proved to be somewhat distinct from his, and yet to fit with his quite well. Reading his thoughts, I saw in them something of value for this column, and determined to convey them here, combined with my own.
The question concerned why people would be interested in playing a role playing game that wrestled with the meaning of life, of moral and ethical questions and problems. Read more
GREY, in his powered armor, grapples with the huge Guardian robot, keeping its grenade launcher aimed away from CONNOR and TANG, who continue to exchange fire with a dozen smaller robots. Meanwhile, the android ELLA is hacking into the mainframe as quickly as she can, hoping that once she’s in, she can defeat the government’s despotic artificial intelligence on its home turf…
My regular RPG group recently wrapped up a season of Primetime Adventures (PTA). Our campaign is called Circuit Breakers, and it focuses on a group of lunatics who are the world’s only hope against an artificial intelligence that has taken over several world governments. As busy adults, we can only play every three weeks, and many of our games have been preempted for various reasons, so it took us ten months to play just nine sessions. That got us through an entire season, though, and the group is ready for more, so I count it a tremendous success. If you’re interested in the play-by-play, feel free to drop by the campaign website at Obsidian Portal, where I’ve posted up each episode in screenplay format, as befits the game. In this article, though, I’d like to talk a little about how PTA plays, what I like about it, and what I don’t. Read more